ARCHITECTURE FOUNDATION DRAWING TOGETHER
MAY 2020
On May 14th as part of the Architecture Foundation 100 day Studio NMLA hosted a collective drawing event. At a time where people are physically separate, we were delighted to bring a large group together to draw. The event allowed a new level of participation in our studio’s collective drawing practice.
Participants were split into a series of ‘breakout rooms’, each led by someone from NMLA. A journey was narrated that encouraged people to draw themselves in the windows of their homes, then come to the street to clap and interact with one another, and finally to collectively design a public space. This narrative created a series of detailed, imagined scenes that have been combined into one colourful tapestry.
The event finished in unison with Thursday’s Clap for Our Carers, with the drawing revealed alongside a soundtrack by composer Kevin Pollard.
To view the final drawing and watch the video please go to our Instagram feed here.
BIENNALE ARCHITECTTURA 2018
JUNE 2018
The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.
Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.
The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.