Architecture Foundation Drawing Together
May 2020
On May 14th as part of the Architecture Foundation 100 day Studio NMLA hosted a collective drawing event. At a time where people are physically separate, we were delighted to bring a large group together to draw. The event allowed a new level of participation in our studio’s collective drawing practice.
Participants were split into a series of ‘breakout rooms’, each led by someone from NMLA. A journey was narrated that encouraged people to draw themselves in the windows of their homes, then come to the street to clap and interact with one another, and finally to collectively design a public space. This narrative created a series of detailed, imagined scenes that have been combined into one colourful tapestry.
The event finished in unison with Thursday’s Clap for Our Carers, with the drawing revealed alongside a soundtrack by composer Kevin Pollard.
To view the final drawing and watch the video please go to our Instagram feed here.
a+u Feature on Somerville College Accommodation
May 2014
The Japanese journal a+u has published an account of the practice’s student accommodation for Somerville College, Oxford. The theme of this month’s publication is ‘New Landscapes of Wooden Architecture’ and features an international selection of projects that explore new aspects of wood technology and its potential within cities. The article gives a description on the themes and processes behind the project, placing it within the context of the historic university city and the surrounding Radcliffe Infirmary Quarter.
It is illustrated with working details of the bespoke timber glazing for the stair tower lanterns, as well as the prefabricated timber projecting bay window units for the student bedrooms, with their integral desk and bench seat overlooking the street.
‘We chose to make the glazed elements in the stair towers and student rooms in wood because we wanted them to be like warm lanterns, internally lit in the evening, bringing light to the narrow street…Wood allowed us to make more three-dimensional details…we owe a debt to Louis Kahn’s work at Philip Exeter Academy Library.’ NM