ARCHITECTURE AS AN INSTRUCTION-BASED ART – HARVARD UNIVERSITY EXHIBITION
SEPTEMBER 2024
An exhibition has opened at the Druker Design Gallery at Harvard University titled ‘Architecture as an Instruction-Based Art’. The exhibition is a selection of drawings which are used to coordinate the process of construction, that is, drawings which reflect the nature of architecture as an “instruction-based” art. We selected a drawing from our International Rugby Experience project in Ireland that shows the complex co-ordination and layering of construction from ceiling to roof level. Here each bay of the sculptural ceiling transitions upwards from an expansive oculus aligned with the building axes, twisting through 20 degrees to accommodate eye-shaped north-facing skylights and bespoke solar shades at roof level.
The exhibition has been curated by the Farshid Moussavi and runs until the 15th October. More information can be found on the Harvard website here.
AUCKLAND CASTLE WING EXTENSION
MAY 2019
Following the completion of the Auckland Tower, the Faith Museum is our second project at Auckland Castle and is an extension to the Grade I listed Scotland Wing. Unlike its vertical sister, which wears its expressed timber structure on the outside, the Faith Museum is singular and monolithic in its appearance, forming a continuous horizontal stone edge to an enclosed courtyard. Cop Crag sandstone, local to the north-east of England, is the external treatment for the roof, walls and weatherings of the building. Far from being homogenous, the stone is alive with natural variation which ranges from delicate lacy swirls to something resembling animal markings.
The principal internal space is a 9.5m tall gallery which follows the steeply pitching roof form, supported by a procession of closely-centred fine metal trusses. The Museum is largely inward-looking, borne of its intended purpose for contemplation and preservation of religious artefacts. This provides further enjoyable contrast and conversation between our two buildings in how they seem to view one another: the Tower’s expansive 360˚ views offering a full appreciation of the Faith Museum in its entirety as begins to take form, whilst the introspective Museum offers the only the slightest peek of its neighbour over the wall.
