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ARCHITECTURE AND POETRY

MAY 2023

Architecture and Poetry

The exhibition Architecture and Poetry is on display at Hay Castle from May 26th - 3rd September. The exhibition begins on the Castle exterior with a newly commissioned light poem from poet-sculptor Robert Montgomery and culminates in Pelé Cox’s verse inscription for Eric Parry’s Building 7 at Chelsea Barracks as well as the words of bilingual poet Gwyneth Lewis for the Wales Millennium Centre at Cardiff. Alongside this, the exhibition details three architectural designs by our practice which were inspired by poems, including the International Rugby Experience at Limerick which has its origins in the poem Beowulf. These architectural exhibits are complemented by a collection of concrete poetry from the 1960s to the present including The Mouse’s Tale by Lewis Carrol. To visit the Hay Castle website click here.

Níall will be giving a lecture at Hay Castle on the 30th May talking about the links between poems and some of our projects. Please click here to find out further details.

ARCH-IVE INTERVIEW

JUNE 2020

On Tuesday 23rd June at 19.00, Arch-ive will be speaking to Níall McLaughlin about the literature that has influenced his practice, as part of the Architecture Foundation’s ‘100 Day Studio’.

Arch-ive is an online platform that investigates the books that have been influential to leading practitioners. It aims to showcase architects’ relationship to books and the way they utilise, interrogate, and display architectural resources.

The ‘live’ interview will take a slightly different format, focusing on specific buildings completed by Níall McLaughlin and the literature that surrounded their investigation. The discussion will focus initially on the Alzheimer’s Respite Centre in Dublin and Níall McLaughlin Architect’s work at the 2016 Venice Biennale, ‘Losing Myself’. Secondly, the conversation will focus on three projects from Níall’s early career, ‘The Shack’, ‘Phototropic’, and ‘Wandsworth House’. Finally, we will discuss ‘Bishop Edward King Chapel’ in Oxford.