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Architecture and Poetry

May 2023

Architecture and Poetry

The exhibition Architecture and Poetry is on display at Hay Castle from May 26th - 3rd September. The exhibition begins on the Castle exterior with a newly commissioned light poem from poet-sculptor Robert Montgomery and culminates in Pelé Cox’s verse inscription for Eric Parry’s Building 7 at Chelsea Barracks as well as the words of bilingual poet Gwyneth Lewis for the Wales Millennium Centre at Cardiff. Alongside this, the exhibition details three architectural designs by our practice which were inspired by poems, including the International Rugby Experience at Limerick which has its origins in the poem Beowulf. These architectural exhibits are complemented by a collection of concrete poetry from the 1960s to the present including The Mouse’s Tale by Lewis Carrol. To visit the Hay Castle website click here.

Níall will be giving a lecture at Hay Castle on the 30th May talking about the links between poems and some of our projects. Please click here to find out further details.

Athletes Occupy Olympic Housing

August 2012

Athletes Occupy Olympic Housing

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games.  Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)