Architecture and Poetry
May 2023
The exhibition Architecture and Poetry is on display at Hay Castle from May 26th - 3rd September. The exhibition begins on the Castle exterior with a newly commissioned light poem from poet-sculptor Robert Montgomery and culminates in Pelé Cox’s verse inscription for Eric Parry’s Building 7 at Chelsea Barracks as well as the words of bilingual poet Gwyneth Lewis for the Wales Millennium Centre at Cardiff. Alongside this, the exhibition details three architectural designs by our practice which were inspired by poems, including the International Rugby Experience at Limerick which has its origins in the poem Beowulf. These architectural exhibits are complemented by a collection of concrete poetry from the 1960s to the present including The Mouse’s Tale by Lewis Carrol. To visit the Hay Castle website click here.
Níall will be giving a lecture at Hay Castle on the 30th May talking about the links between poems and some of our projects. Please click here to find out further details.
Craftlines
August 2015
My grandfather has worn many hats; soldier, civil servant, father of seven, husband, and winner of a county final in hurling (the achievement of which he is potentially most proud). He is fluent in Irish and recalls event and dates from 50 years ago with a staggering accuracy. Yet the residing image of him from my childhood is as a craftsman – in the garage next to his house in Dublin, whittling and sanding a piece of ash to form a hurley, sizing it precisely for the user, wrapping the handle to create the perfect hold. I remember sitting, playing surreptitiously with a clamp, watching this in awe: the creation of the perfect instrument from a piece of timber; a skill honed through practice and an unfailing attention to detail. I marvelled at the assurance of it all, the promise in his hands.
It would be satisfyingly simple to attribute my choice of career to these moments – to claim there was an epiphany in watching him, a sudden realisation that I wanted to be an architect, to create. In reality, however, the path was not so linear; instead the conviction that I wanted to become an architect embedded itself in my consciousness slowly, over time. The memory of him working in his garage was one I didn’t return to often, and like any story we fail to repeatedly tell ourselves, it languished, dormant, in the recesses of my mind.
I recently went to site at Jesus College, Cambridge, where we are working on a project that is part new build, part refurbishment. An aspect of the refurbishment involves the adaptation of eight bookcases in the magnificent former library into wall panelling. The existing bookcases are a dark stained timber, designed by Maurice Webb in the 1920s and wonderfully crafted by a masterful hand. Reworking these without compromising their beauty would be a challenge for any craftsman.
On seeing the work the joiner had done, I realised there was no cause for worry – it had been executed with confident, competent hands. In that moment, the memory of my grandfather in his garage came back to me in glorious Technicolor; and I felt a familiar thrill at the embodied potential of the right material in the hands of a craftsman, with promise in his hands.