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A SITE FOR SAURIIS

JANUARY 2017

A Site for Sauriis

Our proposal to redevelop the grounds of the Natural History Museum is due to start on site this month. The work to the main entrance – the first of three phases – will introduce level access to this area for the first time while also restoring the Grade-I listed fabric to its former glory.

The works include changing levels, repaving the forecourt, restoring railings, installing planting, and repairing or reinstating original terracotta details across the site.

Ahead of this, the main entrance and central hall of the Museum are now closed while both teams gear up for construction – including some unusual enabling works. As part of these works Dippy the diplodocus has now been dismantled ahead of going on tour around the country; to be eventually recast in bronze for the next phase of our project.

The railings have now been removed for off-site restoration and re-painting:

And scaffolding is also going up for the removal of display cases and various specimens:

This will need to go up again halfway through construction of Phase 1 allow for delivery of the blue whale skull through our active site. Here it is just before it left the Museum.

If you’re wondering how that that will fit through the front doors, the answer’s simple: the same way the elephants do.

Phase 1 is due to complete mid-July ahead of the main entrance reopening to the public shortly after. In the meantime, there’s a pop-up conservation studio in the Darwin Centre – which we highly recommend – where you can see the conservationists at work restoring the whale’s bones.

KEY NOTE LECTURE AT CONFERENCE ON MODERN SACRED ARCHITECTURE

OCTOBER 2014

Niall McLaughlin has given a keynote lecture on the theme of ‘Sacred Spaces’ as part of a conference on Modern Sacred Architecture in Ireland and Germany, hosted at Newman House in Dublin. The conference was hosted as a collaboration between University College Dublin, Goethe-Institut Ireland and the National College of Art and Design. The other key note lecturers were Kathleen James-Chakraborty, Professor of Art History at UCD and Amandus Sattler, principal of the award-wining Munich practice, Allmann Sattler Wappner.

The three day event explored themes of abstraction and innovation, together with conservation and re-use in the design of churches, mosques and synagogues from 1920s to the present day. The lectures and panel discussions focussed on sacred architecture of the period within Ireland and Germany. Niall spoke on themes surrounding the practice’s ecclesiastical work, including the Bishop Edward King Chapel and the Carmelite chapels in London and Dublin.