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A SITE FOR SAURIIS

JANUARY 2017

A Site for Sauriis

Our proposal to redevelop the grounds of the Natural History Museum is due to start on site this month. The work to the main entrance – the first of three phases – will introduce level access to this area for the first time while also restoring the Grade-I listed fabric to its former glory.

The works include changing levels, repaving the forecourt, restoring railings, installing planting, and repairing or reinstating original terracotta details across the site.

Ahead of this, the main entrance and central hall of the Museum are now closed while both teams gear up for construction – including some unusual enabling works. As part of these works Dippy the diplodocus has now been dismantled ahead of going on tour around the country; to be eventually recast in bronze for the next phase of our project.

The railings have now been removed for off-site restoration and re-painting:

And scaffolding is also going up for the removal of display cases and various specimens:

This will need to go up again halfway through construction of Phase 1 allow for delivery of the blue whale skull through our active site. Here it is just before it left the Museum.

If you’re wondering how that that will fit through the front doors, the answer’s simple: the same way the elephants do.

Phase 1 is due to complete mid-July ahead of the main entrance reopening to the public shortly after. In the meantime, there’s a pop-up conservation studio in the Darwin Centre – which we highly recommend – where you can see the conservationists at work restoring the whale’s bones.

MARY ANN STEANE ARTICLE IN ARCHITECTURE TODAY ON RIPON COLLEGE CHAPEL

MARCH 2013

Mary Ann Steane Article in Architecture Today on Ripon College Chapel

Author and Cambridge academic Mary Ann Steane has written on the Chapel’s “lyrical embodiment of liturgy and light” in an article published in Architecture Today. Dr. Steane previously included the Carmelite Monastery project in her book ‘The Architecture of Light’. The article in Architecture Today elucidates on the Chapel’s filtering of natural light through the internal timber structure, as a means of tying the building to its surroundings.

“On a sunny day the upper surfaces become an animated embroidery of light and shadow in tune with the surrounding windblown foliage, but even on a dull day the way that light is held within the tall enclosure is critical to the project’s narrative of tethering.”

Link to the full article