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A SITE FOR SAURIIS

JANUARY 2017

A Site for Sauriis

Our proposal to redevelop the grounds of the Natural History Museum is due to start on site this month. The work to the main entrance – the first of three phases – will introduce level access to this area for the first time while also restoring the Grade-I listed fabric to its former glory.

The works include changing levels, repaving the forecourt, restoring railings, installing planting, and repairing or reinstating original terracotta details across the site.

Ahead of this, the main entrance and central hall of the Museum are now closed while both teams gear up for construction – including some unusual enabling works. As part of these works Dippy the diplodocus has now been dismantled ahead of going on tour around the country; to be eventually recast in bronze for the next phase of our project.

The railings have now been removed for off-site restoration and re-painting:

And scaffolding is also going up for the removal of display cases and various specimens:

This will need to go up again halfway through construction of Phase 1 allow for delivery of the blue whale skull through our active site. Here it is just before it left the Museum.

If you’re wondering how that that will fit through the front doors, the answer’s simple: the same way the elephants do.

Phase 1 is due to complete mid-July ahead of the main entrance reopening to the public shortly after. In the meantime, there’s a pop-up conservation studio in the Darwin Centre – which we highly recommend – where you can see the conservationists at work restoring the whale’s bones.

ARGENT KINGS CROSS FILM

MAY 2013

Argent Kings Cross Film

A short film has been made about the practice and the design of the Tapestry Building, a large-scale mixed-use development on the edge of the Regent’s Canal in King’s Cross. The scheme forms one element in the wider regeneration of the 67-acre site adjacent to King’s Cross station and the Regent’s Canal.

In the film Niall McLaughlin describes the design influences behind the woven tapestry-like facade and places the building within a tradition of masonry buildings looking to imitate “the intensity and the enmeshed, thicket-like quality of tapestries” that goes back to the origins of architecture, where hanging tapestries were used to enclose space.

Link to Kings Cross film