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A SITE FOR SAURIIS

JANUARY 2017

A Site for Sauriis

Our proposal to redevelop the grounds of the Natural History Museum is due to start on site this month. The work to the main entrance – the first of three phases – will introduce level access to this area for the first time while also restoring the Grade-I listed fabric to its former glory.

The works include changing levels, repaving the forecourt, restoring railings, installing planting, and repairing or reinstating original terracotta details across the site.

Ahead of this, the main entrance and central hall of the Museum are now closed while both teams gear up for construction – including some unusual enabling works. As part of these works Dippy the diplodocus has now been dismantled ahead of going on tour around the country; to be eventually recast in bronze for the next phase of our project.

The railings have now been removed for off-site restoration and re-painting:

And scaffolding is also going up for the removal of display cases and various specimens:

This will need to go up again halfway through construction of Phase 1 allow for delivery of the blue whale skull through our active site. Here it is just before it left the Museum.

If you’re wondering how that that will fit through the front doors, the answer’s simple: the same way the elephants do.

Phase 1 is due to complete mid-July ahead of the main entrance reopening to the public shortly after. In the meantime, there’s a pop-up conservation studio in the Darwin Centre – which we highly recommend – where you can see the conservationists at work restoring the whale’s bones.

MICHAEL WEBB WRITES A FEATURE ON NIALL MCLAUGHLIN IN MARK MAGAZINE

OCTOBER 2013

Michael Webb Writes a Feature on Niall McLaughlin in Mark Magazine

Under the title ‘London Maverick’ Mark Magazine has profiled Niall McLaughlin and a wide ranging showcase of the practice’s work. The article includes projects from the Bandstand at Bexhill-on-Sea in 2001 to the Chapel for Ripon Theological College completed last year, the latter being described as a project that “restores one’s faith in the capacity of architects to reinvent traditional forms.”

The work of the practice is described as defying categorisation and characterised by “poetry and invention”. Drawing on the broad theme of materiality, the review reflects on the design process for a selection of projects including House at Goleen, the student accommodation for Somerville College, the Information Centre in Hull and the Housing for the London Olympics.